THE BLACKBOOK: Luxury Venice apartment includes 18th century art collection

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Art lover? Italy lover? Venice lover? This stunning luxury apartment fulfills so many desires and anyone who appreciates the aesthetic benefits of artistic design will savor every moment inside this unique property.

Not only does the opportunity come complete with an 18th century art collection, the property also has the historic distinction of being the former Consulate to France. No expense would have been spared when outfitting this building.

This apartment is centrally located in Venice at the Palazzetto de Lezze and sits across many historic landmarks in the district. A rare opportunity for a savvy investor or indulgent purchaser to own a functional and historic piece of ‘The Old Country’.

Read the official press release below:

Former French Consulate and Art connoisseurs dream: Stunning Palazzo apartment with 18th Century murals by Rococo pastellist, Pietro Antonio Perotti for Sale

The stunning Palazzo apartment, in Palazzetto da Lezze, is located in one Venice’s most prestigious residential districts, San Marco, on the city’s second largest campo, Campo Santo Stefano and dates from the 15th Century. The Palazzo apartment extends to approximately 1,000 sq m.: occupying an entire main floor and further mansarda floor, with extensive and grand reception rooms containing listed works by Rococo pastellist Pietro Antonio Perotti. This unique and exquisite apartment is available for sale exclusively through Venice Sotheby’s International Realty.

The Palazzo apartment, located on Campo Santo Stefano, is highly decorative and houses several murals in its grand reception rooms, painted by the Italian artist Pietro Antonio Perotti: his works can also be found in a number of museums and art galleries including The Louvre, in Paris.  Perotti was born in Verona in 1712 and was a Pupil of Antonio Balestra.  He married fellow artist Angelica le Gru (a pupil of the famous Italian artist Rosalba Carriera), who hailed from a family of painters, and together they moved to London in 1768, both exhibiting works at The Royal Academy.  Angelica died in London in 1776, following which Perotti returned to Verona, taking up the post of Director of the Accademia Belle Arti de Verona in 1780 at the age of 68: retiring in 1786, seven years before his death in 1793, aged 81.

Pietro Antonio PEROTTI
Born: Verona, Italy 1712. Died: Verona, 1793.
A Pupil of Antonia Balestra who painted for the churches of the I Gesuiti and San Zaccaria, and the Scuola della Carita in Venice; Perotti worked in Venice, Rome and London and became president of the Accademia Belle Arte di Verona. While In London he exhibited at the Royal Academy, as did his wife, Angelica Le Gru. He returned to Verona after her death in London on 1776.
His work occasionally arises in international salerooms, with prices starting from €15,000, for smaller works.

Perotti’s work in the Palazzo is believed to have been conducted in the early part of his career, prior to moving to London, when he took commissions throughout northern Italy.  Perotti was a pastellist, using appropriate hues and palette, and the murals in the Palazzo apartment are excellent examples of his work, executed in scale and listed by the Belle Arti di Venezia.

The Palazzo apartment’s discrete exterior conceals a richly decorated interior: entering directly from Campo Santo Stefano, on the ground floor, via a private entrance exclusively for the use of the property (porto sola), there is an immediate sense of being somewhere exceptional.  To the rear of the ground floor entrance there are storage rooms (magazzini) and a second entrance, which leads directly to the Rio del Duca canal for easy boat access.  The Rio del Duca leads directly on to the Grand Canal.

Rising from the ground floor, via a classic wide stone stairs to the second floor (Piano Secondo): the apartment occupies the entire second floor of the Palazzetto, providing a wealth of space and revealing an enchanting galleried terrace: hidden from external view and offering unprecedented privacy.  The main reception rooms are located on this floor and provide excellent space in which to appreciate the works by Perotti.

In addition, further accommodation is provided on a ‘mansarda’ floor, with further bedrooms and bathrooms and access to a second terrace, or ‘altana’, located on the roof and affording a superb view across the Venetian skyline.  With six bedrooms, five bathrooms and large reception rooms, this is a home of grand and classic proportions.

The Palazzo apartment is the perfect property, in an ideal location, for lovers of art, history and culture: located on one of Venice’s largest and most important campos, Campo Santo Stefano, also known as Campo Francesco Morosini, named for the Doge who lived there in the 17th Century: his tomb is in Santo Stefano Church.  In the 18th Century the Campo was one of Venice’s main bull fighting arenas, however, this came to an abrupt end in 1802 when a seating stand collapsed, causing the deaths of many spectators.  For centuries the campo was grass except for a stone avenue called the liston.  It was so popular for strolling that in Venetian dialect “andare al liston” still means “to go for a walk”. In the 20th Century the Palazzo was also home to the French Consulate, now located in Palazzo Morosini in Castello.

To the south of the Campo are the Conservatoria di Musica, Chiesa di San Salvador, Palazzo Cavalli-Franchetti and immediately beyond the Accademia Bridge, the Gallerie dell Accademia, with its rich and illustrious, world famous exhibits. To the north, and diagonally opposite the Palazzo apartment, is the Church of Santo Stefano, which houses works by Pietro Lombardo, Tullio Lombardo, Tintoretto, Paolo Veneziano and Bartolomeo Vivarini.  While in the centre stands the statue of Niccolò Tommaseo (1802-1874), a monument to the noted Dalmatian scholar.

The property would benefit from some updating within the framework of this exquisite Palazzo and remains a stunning and exceptional property.

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By Doron Levy Courtesy TheTopTier Digital Media / Lawrie Cornish

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